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Jane Austen celebrating her birthday. Austen wears a birthday hat, holds a birthday present, and sits next to a birthday cake covered with candles.

Jane Austen’s 250th Birthday and How Austen Wrote Birthday and Holiday Greetings

Jane Austen celebrating her birthday. Austen wears a birthday hat, holds a birthday present, and sits next to a birthday cake covered with candles.

December 16, 2025 is Jane Austen’s 250th birthday, and so to celebrate, here’s a post with:

  • How Austen wrote birthday and holiday greetings
  • The letter I wrote to her for her birthday (and the book I wrote for her…probably shouldn’t forget that)

How Jane Austen Wrote Birthday and Holiday Greetings

Jane Austen spent much of her life with her sister and dear friend, Cassandra. However, the times that they were apart are a blessing to us, because from them we have many of Austen’s surviving letters.

In 1799, the day before Cassandra’s birthday, Jane wrote Cassandra a letter which she ended with the following:

I wish you joy of your birthday twenty times over. I shall be able to send this to the post to-day, which exalts me to the utmost pinnacle of human felicity, and makes me bask in the sunshine of prosperity or gives me any other sensation of pleasure in studied language which you may prefer. Do not be angry with me for not filling my sheet, and believe me yours affectionately,
Miss Austen

Not only does Jane wish her sister a twenty-times dose of birthday joy, but she rejoices–nay, feels exalted–because she can send such a letter, and send it immediately.

I don’t think Jane Austen would have liked many of today’s birthday cards, with pre-written sentimental phrases. Even in a letter with birthday greetings, in which there are certain conventions and well-wishes are expected, she must give them in a creative way.

Here, she uses hyperbole, exaggerating her emotions to the extreme. This does not mean she doesn’t feel positively towards her sister–she does feel happy for her sister’s birthday, and wants to express it–but she does so playfully, and probably wants to make her sister laugh. (Jane’s letters, and biographies  about her, show that her family loved sharing humor with each other.)

I also like the admission: “or gives me any other sensation of pleasure in studied language which you may prefer.” If Cassandra would not express the joy of sending a birthday letter in the same manner, she is welcome to choose her own studied language. Whatever rhetorical devices or literary flourishes or elegant metaphors–Jane gives them all to Cassandra. I find Jane’s statement reminiscent of Mr. Collins, with the difference being that Austen uses irony and takes delight in recognizing the subtle absurdity of her own statement.

A letter from Jane Austen to Cassandra Austen

A letter from Jane Austen to Cassandra Austen. This is not any of the letters referenced in this blog post, however, it is a very visually appealing letter, so I have decided to include it. Image via National Library of Australia, Public domain, via Wikimedia Commons

And what about holiday greetings? How did Jane write this standard form?

In one letter to Cassandra, she writes:

I am glad you are to have Henry with you again; with him and the boys you cannot but have a cheerful, and at times even a merry, Christmas. 

I love the honesty. “At times even…merry.” She doesn’t treat holidays like they need to be perfect.

In another letter written during the holiday season, Austen writes to Cassandra:

I am sorry my mother has been suffering, and am afraid this exquisite weather is too good to agree with her. I enjoy it all over me, from top to toe, from right to left, longitudinally, perpendicularly, diagonally; and I cannot but selfishly hope we are to have it last till Christmas,—nice, unwholesome, unseasonable, relaxing, close, muggy weather.

I could write an essay on this paragraph. (Fortunately, I’ve decided to spare you.) But I love the humor, I love how Jane finds joys in unexpected (and sometimes unwanted) occurrences of the season. And I love how she mixes her positive and negative adjectives (nice, unwholesome, unseasonable, relaxing, close, muggy) in a way that both offers insight and provides humor.

But how do we apply this?

I am so glad you asked.

If you want to write like Jane Austen, the next time you send a birthday or holiday greeting, don’t use a pre-written greeting card and definitely don’t use AI (Austen refused to use the average or standard way of saying something, after all). Instead, express your joy and love but be playful or humorous or absurd (or perhaps be all three–playful and humorous and absurd). Make light of adverse circumstances, be realistic, and don’t be afraid to play with expectations.

My Offering For Jane Austen’s Birthday (A Book, and a Birthday Letter!)

Those of you who backed the project on Kickstarter already know this, but I must declare it to the world! I officially met my goal for the year, which was to publish my new book before Jane Austen’s birthday.

A 3D rendering of the book Write with Jane Austen: Masterclasses with the Master Storyteller

Write with Jane Austen: Masterclasses with the Master Storyteller is an in-depth look at all we can learn about writing from Jane Austen’s novels. Jane Austen is a master at all elements of storytelling, and I had years of delight writing about how we can apply her techniques to our writing, no matter what genre we write.

(Did you know that 200 years before Blake Snyder coined the term “save the cat,” Austen was already recommending that writers do just that? Did you know that Austen takes a cinematic approach to describing setting? Did you know that even within a point of view, Austen did not see it as fixed? There’s so much we can learn from writing from Austen.)

Write with Jane Austen is now available in print and ebook through all major retailers, and if you order now, you should be able to get a copy for yourself or a friend before the holidays. On Amazon US, you can get the paperback and hardcover, or the ebook. It’s also available through Barnes and NobleBookshop.orgKoboSmashwordsWaterstones (in the UK), various Amazon websites throughout the world, etc. Your indie bookstore or your library should be able to get ahold of a copy if you request it.

I can’t actually send this, but also I wrote a letter to Jane Austen for her birthday, in which I attempt to use some of her epistolary approaches to humor and irony, as well as apologize for my literary transgressions.

Dear Jane,

On this, your 250th birthday, I am not ungrateful to you.

For how could I be ungrateful, when you have ignored birthday conventions and instead of opening your own presents, you have gifted me a present–and a glorious one. Six incredible novels, that have spawned endless adaptations that hopefully you would find delightful and joyous, though it’s possible you would find some of them utterly horrifying. (You should probably catch up on 20th-century zombie stories before you indulge in Pride and Prejudice and Zombies. If you find it horrifying, it is in the horror genre, so it’s an appropriate response.)

Unfortunately, I have contributed to the madness by not only writing three novels about Mary Bennet but also writing a book about your writing. I know that in your time, you had to receive permission from someone in order to dedicate a work to them. While you dedicated your unpublished teenage works to family members in playful ways, you didn’t dedicate any of your published novels, except for Emma, and  you probably did that a bit begrudgingly. (I would love to hear the full story someday on the time you were invited to the Prince Regent’s library, and then his librarian semi-forced you to dedicate a book to the prince. We’re pretty sure you wrote a letter about your library trip, and we’re also pretty sure Cassandra destroyed it. What evidence of your true thoughts was she trying to hide?)

Excuse the tangent. I lose focus, in part because I fear your disapproval. The news is this: I wrote a book about you for your birthday, and I dedicated it to you. I asked no permission, but I do ask forgiveness. May there be only rare pages in the book where you say, “That is not what I meant. That is not what I meant at all.”

You may take all the compliments to you in the book. Just know that more compliments are owed than I could manage to express in a few hundred pages.

Best regards, and any happiness that can be had on your 250th birthday.

Yours affectionally,
Katherine Cowley

P.S. Please do not skewer me too harshly in your letters to Cassandra.

I would like to say that writing a book and even a letter is not too shabby of a celebration for my favorite author.

Wishing you all the best, as you celebrate Austen, birthdays, and/or holidays.

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The Year of the Pivot: 2024, A Writing Year in Review

It’s the final day of 2024, which means it’s time for my annual Writing Year in Review post—highlights, lowlights, charts, and insights into my writing process. And at the end of the post, there’s an announcement about a new book I have coming out next year!!!

First, let’s look at how many hours I spent writing in 2024:

A chart showing the number of hours Katherine spent writing per month in 2024. January: 58. February: 55. March: 54. April: 60. May: 61. June: 41. July: 22. August 53. September: 92. October: 69. November: 84. December: 62.

(Note: I use Toggl to track my time—if you’d like to learn more, I wrote a post about how and why I use a time tracker for writing.)

As you can see, July was a rather low month at 22 hours—however, I did spend three weeks in Europe (I went to Paris for the first time, and I visited my parents in Vienna). The highest month was September, where I felt the back-to-school energy (despite not currently being a student/teacher). And the total for the year was:

711 hours writing

That’s fewer yearly hours than in recent years, but it’s been a tricky full year on many fronts, and it’s still a respectable showing.

And now, you ask, how did I spend my time?

Here’s a chart of how many hours I spent on each writing project over the course of the year:

A few insights into this chart:

Development – this is an umbrella I use to include critiquing other people’s writing, attending my writing group, participating in writing conferences, learning about writing craft, and networking.

Volunteer work – I’m on the board of directors for a writing nonprofit. It’s nice to do a little to give back to the writing community, and this year I guest edited the Holiday Lit Blitz.

Short stories – short stories are great to stretch my writing muscles, and some stories just belong in a short form. I also cheated this year and included a personal essay in this category, which leads to one of this year’s highlights:

A personal essay I wrote was nominated for a Pushcart Prize!

Red, blue, and yellow book cover which reads

Teaching writing – I taught a two-week writing class for the Lifelong Learning program at Kellogg Community College, and it was delightful. I’ll be teaching a class in March about writing adaptations and retellings, so if you live in West Michigan, watch for when their Spring catalogue drops.

Regency mystery novel – I’ve played a little with a new novel, that will likely be one of my major focuses for 2025.

One thing that didn’t end up on this chart…I gave up my writing office. Due to a variety of circumstances, one of my kids needed it as a bedroom. As I moved out of the space and into the edge of a different room, I definitely felt the loss. It’s hard not to read into the symbolism of giving up your creative space.

However, I learned something new last week: when Frank Lloyd Wright lived in Oak Park, he gave up his architecture studio so his kids could have a bedroom. A few years later he ended up designing and building an incredible new studio. So I’m sure good writing spaces will again be in my future.

Kathy outside a sign for the Frank Lloyd Wright house in Oak Park

Me outside of the Frank Lloyd Wright house

Part of Frank Lloyd Wright's new studio -- there's an octagon dome roof, chain supports, and lots of light.

A small part of Frank Lloyd Wright’s new studio in Oak Park


An architecture cabinet that’s also a partial column. Also, it can move.

And now, we come to the title of this blog post…

The Year of the Pivot

In the middle of 2024, I had a bit of a writing crisis. My family would argue that calling it “a bit of a crisis” is a gross understatement. My husband bought me a pot of succulents for my desk, which is a true indication of the gravity of the situation.

During the first half of the year, I spent 165 hours revising an 1870s mystery novel, bringing the three-year total for the book to 800 hours.

It’s doing a lot of cool things, but it’s a really tricky, complicated book. Due to a variety of factors, I realized that I needed to step away from the project. (As a note: I will be coming back to this book, but it may be a year or two before I figure out how to make it work. Fortunately, books are like soup—time stewing is almost always beneficial for enhancing the flavors and depth. I spent years thinking about The Secret Life of Miss Mary Bennet before writing it, and it really helped me figure out Mary’s character.)

Fortunately, about two weeks before I stepped away from the book, I had already decided on an Exciting New Book that I wanted to write/finish.

Pivoting was difficult, but it was also exhilarating. The new project—which for the moment, we’re still calling the Exciting New Book—brought me so much joy.

I ended up spending 213 hours on the Exciting New Book. And the book will actually be coming out in 2025.

It was a year of ups and downs, with lots of twists and turns, but it’s ending on a high note. Thanks for joining me on my writing journey, and Happy New Year!

And if you’d like a little more details, my new book is titled Write with Jane Austen: Masterclasses from the Master Storyteller.

And you can read more about this new book in this post:

An intriguing snippet which has Jane Austen's portrait and a mysterious gray box with the words, "Cover Coming Soon"